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The Transfer Path Analysis method is at the core of the Source-Transfer-Receiver approach to address noise and vibration problems. While originally developed for analyzing structure-borne noise transmission, its application range has been extended to airborne noise. Various frequency and time domain approaches have been developed with a focus of supporting specific design engineering problems. One such application is the source contribution analysis in the context of vehicle pass-by-noise. The upcoming changes in the pass-by noise regulation will not only require more complex tests in different conditions but most importantly, the new directive will force car manufacturers to further reduce the emitted noise levels of their vehicles.

This paper presents an on-line, order-based roughness approach for vehicle engine sounds. This new algorithm reconstructs the sound envelope per critical band in an analytical way from the order amplitudes, phases and frequencies. The most time-demanding operations of the classical roughness models are no longer needed, rendering the algorithm extremely fast and applicable in real-time. Another interesting characteristic of this new algorithm is the unique link which is established between the roughness and the engine order components of the sound. Sound engineers can easily identify which order components need to be modified to reduce a roughness problem.

Aircraft noise modeling aims to provide designers with computational tools that allow exploring the design parameters domain early in the design and development process. A number of modeling techniques are available for acoustics and vibration prediction, but in order to define objective targets for sound quality perception, dedicated tools are still needed to correlate structural models and design modifications with human perception of sounds. This paper presents a model-based sound synthesis concept for interior and exterior aircraft noise that allows interactive, real-time sound reproduction and replay. The proposed approach is presented through two application cases: jet flyover noise and turboprop interior noise.

The pressure on development cycles in the automotive industry forces the acoustical engineers to create awareness of sound quality in the early stages of development, perhaps even before a physical prototype is available. Currently, designers have few tools to help them listen to their “virtual” models. For the design of a synthesis platform of in-vehicle binaural sound, the sound should be modeled with almost identical sound quality perception. A concept is presented where the total sound of a vehicle is split in a number of components, each with its own sound characteristics. These characteristics are described in a signal model that allows the analysis of an existing sound into a limited number of signal components: orders-frequency spectra, time envelopes and time recordings.